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When transforming any layer type, dragging a corner handle now scales the layer proportionally by default, indicated by the Maintain Aspect Ratio button Link icon in the ON state in the Options bar. The Shift key, while pressed, now acts as a toggle for the Maintain Aspect Ratio button.
Photoshop remembers your last transform behavior setting—proportional or non-proportional scaling—it will be your default transform behavior when you start Adobe photoshop cc 2018 shortcuts pdf free the next time.
For detailed instructions, see Scale, rotate, skew, distort, apply perspective, or warp. Transforming scales, rotates, skews, stretches, or warps an image. You can apply transformations to a selection, an entire layer, multiple layers, or a layer mask. You can also apply transformations to a path, a vector shape, a vector mask, a selection border, or an alpha channel. Transforming affects image quality when you manipulate the pixels. To apply non-destructive transformations to raster images, use Smart Objects.
See Work with Smart Objects. To перейти на страницу a transformation, first select an item to transform and then choose a transformation command.
If necessary, adjust the reference point before manipulating the transformation. You can perform several manipulations in succession before applying the cumulative transformation. For example, you can choose Scale and drag a handle to scale, and then choose Distort and drag a handle to distort.
Then press Enter or Return to apply both transformations. Photoshop uses the interpolation method selected in здесь General area of the Preferences dialog box to calculate the color values of pixels that are added or deleted during transformations. This interpolation setting directly affects the speed and quality of the transformation. Bicubic interpolation, the default, is slowest but yields the best results.
Original image B. Layer adobe photoshop cc 2018 shortcuts pdf free C. Selection border rotated D. Part of object scaled. Enlarges or reduces an item relative to its reference point, the fixed point around which transformations are performed.
You can scale horizontally, vertically, or both horizontally and vertically. Turns an item around a reference point. By default, this point is at the center of the object; however, you can move it to another location. All transformations are performed around перейти на источник fixed point called the reference point.
By default, this point sony vegas pro 12 transitions free at the center of the item you are transforming. However, you can change the reference point or move the center point to a different location using the reference point locator in the options bar.
The reference point is hidden by default. To show the reference pointclick select the check box next to the reference point locator in the options bar. You can apply various transform operations such as Scale, Rotate, Skew, Distort, Perspective, or Warp to the selected image. If you are transforming a shape or entire path, the Transform menu becomes the Transform Path menu. If you are transforming multiple path segments but not the entire paththe Transform menu becomes the Transform Points menu.
When you transform a bitmap image versus a shape or paththe image becomes slightly less sharp each time you commit a transformation; therefore, performing multiple commands before applying the cumulative transformation детальнее на этой странице preferable to applying each transformation separately.
To cancel the transformation, press Esc or нажмите чтобы прочитать больше the Cancel button in the options bar. If you are transforming a shape or entire path, the Transform command becomes the Transform Path command. If you are transforming multiple посетить страницу segments but not the entire adobe photoshop cc 2018 shortcuts pdf freethe Transform command becomes the Transform Points command.
To duplicate while transforming, hold down Alt Win or Option Mac when selecting the Transform command. If you’ve transformed a Smart Object, you can reset all transformations you’ve previously applied by doing one of the following:.
Buy Adobe Photoshop or start a Free Trial. Legal Notices Online Privacy Policy. Buy now. User Guide Cancel. Make it. Scale layers proportionally Updated in Photoshop How do I switch back to the legacy transform behavior? Apply transformations. You can also warp and distort raster images using the Liquify filter. Transform submenu commands. Slants an item vertically and horizontally. Stretches an item in all directions. Manipulates the shape of an item. Rotates the item by the specified number of degrees, either clockwise or counterclockwise.
Flips the item vertically or horizontally. Video tutorial: Tips for working with vectors in Ссылка на продолжение. In this episode of The Complete Picture, Julieanne demonstrates features for working with vectors in Photoshop.
Select an item to transform. Do one of the following:. To transform an entire layer, make the layer active, and make sure nothing is selected. You cannot transform the background layer. To transform it, first convert it to a regular layer. To transform part of a layer, select the layer in the Layers panel, and then select part of the image on that layer. To transform multiple layers, do either of the following in the Layers panel: Link the layers together, or select multiple layers by Ctrl-clicking Windows or Command-clicking Mac OS more than перейти layer.
In the Layers panel, you can also Shift-click to select contiguous layers. See Select, group, and link layers. To transform a layer mask or a vector mask, unlink the mask and select the mask thumbnail in the Layers panel. Adobe photoshop cc 2018 shortcuts pdf free transform a path or vector adobe photoshop cc 2018 shortcuts pdf free, use the Path Selection tool to select the entire path or the Direct Selection tool to select part of the path.
If you select one or more points on a path, only those path segments connected to the points are transformed. See Select a path. To transform a selection border, make or load a selection. To transform an alpha channel, select the channel in the Channels panel. Set or move adobe photoshop cc 2018 shortcuts pdf free reference point for a transformation Updated in the October release of Photoshop CC Choose a transformation command. A bounding box appears in the image.
In the options bar, click a square on the reference point locator. Each square represents a point on the bounding box. For example, to move the reference point to the upper-left corner of the bounding box, click the top left square on the reference point locator. In the transform bounding box that appears in the image, drag the reference point. The reference point can be outside the item you want to transform. Scale, rotate, skew, distort, apply perspective, or car rally game free download for pc. Select what you want to transform.
Optional In the options bar, click a square on the reference point locator. Do one or more of the following:. If you chose Adobe photoshop cc 2018 shortcuts pdf freedrag a handle on the bounding box. When positioned over a handle, the pointer becomes a double arrow. Hold down the Shift key while transforming to toggle between proportional and non-proportional scaling behavior. If you chose Rotatemove the pointer outside the bounding border it becomes a curved, по ссылке arrowand then drag.
If you chose Skewdrag a side handle to slant the bounding box. If you chose Distortdrag a corner handle to stretch the bounding box. If you chose Perspectivedrag a corner посетить страницу to apply perspective to the bounding box. For all types of transformations, enter a value in the options bar. For example, to rotate an item, specify degrees in the rotation text box. When you finish, do one of the following to commit the transformation:. Select a new tool.
Click adobe photoshop cc 2018 shortcuts pdf free layer in the Layers panel. This action auto-commits changes and also selects the layer. Click outside the canvas area in the document window.
Click outside the bounding box in the canvas area.
Adobe photoshop cc 2018 shortcuts pdf free
The blending mode specified in the options bar controls how pixels in the image are affected by a painting or editing tool. Edits or paints each pixel to make it the result color. This is the default mode. However, the result color is a random replacement of the pixels with the base color or the blend color, depending on the opacity at any pixel location.
Edits or paints only on the transparent part of a layer. This mode works only in layers with Lock Transparency deselected and is analogous to painting on the back of transparent areas on a sheet of acetate. Edits or paints each pixel and makes it transparent. This mode is available for the Shape tools when fill region is selected , Paint Bucket tool , Brush tool , Pencil tool , Fill command, and Stroke command.
You must be in a layer with Lock Transparency deselected to use this mode. Looks at the color information in each channel and selects the base or blend color—whichever is darker—as the result color.
Pixels lighter than the blend color are replaced, and pixels darker than the blend color do not change. Looks at the color information in each channel and multiplies the base color by the blend color. The result color is always a darker color. Multiplying any color with black produces black. Multiplying any color with white leaves the color unchanged. The effect is similar to drawing on the image with multiple marking pens. Looks at the color information in each channel and darkens the base color to reflect the blend color by increasing the contrast between the two.
Blending with white produces no change. Looks at the color information in each channel and darkens the base color to reflect the blend color by decreasing the brightness.
Looks at the color information in each channel and selects the base or blend color—whichever is lighter—as the result color. Pixels darker than the blend color are replaced, and pixels lighter than the blend color do not change. The result color is always a lighter color. Screening with black leaves the color unchanged. Screening with white produces white. The effect is similar to projecting multiple photographic slides on top of each other.
Looks at the color information in each channel and brightens the base color to reflect the blend color by decreasing contrast between the two. Blending with black produces no change. Linear Dodge Add. Looks at the color information in each channel and brightens the base color to reflect the blend color by increasing the brightness.
Multiplies or screens the colors, depending on the base color. Patterns or colors overlay the existing pixels while preserving the highlights and shadows of the base color. The base color is not replaced, but mixed with the blend color to reflect the lightness or darkness of the original color. Darkens or lightens the colors, depending on the blend color. The effect is similar to shining a diffused spotlight on the image. Painting with pure black or white produces a distinctly darker or lighter area, but does not result in pure black or white.
Multiplies or screens the colors, depending on the blend color. The effect is similar to shining a harsh spotlight on the image. This is useful for adding highlights to an image. This is useful for adding shadows to an image.
Painting with pure black or white results in pure black or white. Burns or dodges the colors by increasing or decreasing the contrast, depending on the blend color. Linear Light. Burns or dodges the colors by decreasing or increasing the brightness, depending on the blend color.
Replaces the colors, depending on the blend color. This is useful for adding special effects to an image. Adds the red, green and blue channel values of the blend color to the RGB values of the base color. If the resulting sum for a channel is or greater, it receives a value of ; if less than , a value of 0. Therefore, all blended pixels have red, green, and blue channel values of either 0 or This changes all pixels to primary additive colors red, green, or blue , white, or black.
For CMYK images, Hard Mix changes all pixels to the primary subtractive colors cyan, yellow, or magenta , white, or black. The maximum color value is Looks at the color information in each channel and subtracts either the blend color from the base color or the base color from the blend color, depending on which has the greater brightness value.
Blending with white inverts the base color values; blending with black produces no change. Creates an effect similar to but lower in contrast than the Difference mode. Blending with white inverts the base color values. Looks at the color information in each channel and subtracts the blend color from the base color. In 8- and bit images, any resulting negative values are clipped to zero. Creates a result color with the luminance and saturation of the base color and the hue of the blend color.
Creates a result color with the luminance and hue of the base color and the saturation of the blend color. Painting with this mode in an area with no 0 saturation gray causes no change. Creates a result color with the luminance of the base color and the hue and saturation of the blend color.
This preserves the gray levels in the image and is useful for coloring monochrome images and for tinting color images. Creates a result color with the hue and saturation of the base color and the luminance of the blend color. This mode creates the inverse effect of Color mode.
Lighter Color. Compares the total of all channel values for the blend and base color and displays the higher value color. Lighter Color does not produce a third color, which can result from the Lighten blend, because it chooses the highest channel values from both the base and blend color to create the result color. Darker Color. Compares the total of all channel values for the blend and base color and displays the lower value color. Darker Color does not produce a third color, which can result from the Darken blend, because it chooses the lowest channel values from both the base and the blend color to create the result color.
Original image. Color Burn. Linear Burn. Color Dodge. Soft Light. Hard Light. Vivid Light. Pin Light. Hard Mix. Buy Adobe Photoshop or start a Free Trial. Legal Notices Online Privacy Policy. Buy now. User Guide Cancel. Make it. The base color is the original color in the image.
The blend color is the color being applied with the painting or editing tool. The result color is the color resulting from the blend. Blending mode descriptions. In the Blend Mode pop-up menu, scroll over different options to see how they look on your image. Photoshop displays a live preview of blend modes on the canvas.
Looks at the color information in each channel and divides the blend color from the base color. Blending mode examples. Sign in to your account. Sign in. Quick links View all your plans Manage your plans.
Adobe photoshop cc 2018 shortcuts pdf free
Popular shortcuts ; Free Transform, Control + T · Command + T ; Toggle between painting and erasing with the same brush, Hold down ~ (tilde accent). Free Transform with duplicate. Ctrl+Alt+T. Delete Layers (Groups). Backspace / Delete. Hand tool (toggle). Space. Keyboard Shortcuts. Alt+Shift+Ctrl+K.
Blending modes in Adobe Photoshop.Adobe Photoshop CC Keyboard Shortcuts for PC
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